About Exhibition

I considered the exhibition a site-specific installation, where it could be seen as an in-depth study of my family relationships and upbringing. In this project, I treated photography as a mode of documentary material while sharing the results of my research in those years by regrouping and reordering them. The project was filmed in a weakly self-referential way; in fact, the curation of the comprehensive exhibition was a subjective view of the presentation. Through the different installations, I encouraged the audiences to participate actively, focusing more on their feedback and responses to pass their voice through the mass media. The whole exhibition was an actual experiment. What finally brought them together are the intermittent interruptions, the unspoken interrelationships, and the tacit understanding that they shared. The audiences were brought into the story and becomes part of the reflective subject.